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Kader Attia

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Kader Attia

 

Kader Attia (amụrụ na ọnwa 30 Disemba n'afọ 1970) bụ onye obodo Algeria-French n'ese ihe. [1][2][note 1]

A mụrụ Attia na obodo Dugny, France na nne na nna Algeria ma zụlite ya na Paris n'obodo Algeria . [3][4] Ọ gụrụ akwụkwọ na l'école Duperré de Paris, l'école des arts appliqués La Massana de Barcelone ma gụsịrị akwụkwọ na Ecole nationale superieure des arts décoratifs Paris, na 1998.[5][6][7]

Ọrụ Attia na-enyocha ikpe na-ezighị ezi nke ọha na eze, obodo ndị a na-akparaghị ókè na postcolonialism. [8] [9][10]

N'afọ 2016, Attia guzobere La Colonie, ụlọ ngosi ihe dị nso na ọdụ ụgbọ okporo ígwè Paris 'Gare du Nord.[11][12][13] Na ọnwa Machị, n'afọ 2020, La Colonie mechiri kpamkpam n'ihi ọrịa coronavirus.[14] Na ọnwa Machị n'afọ 2021, a mara ọkwa Attia dị ka onye nlekọta maka 12th Berlin Biennale. [15] Ọ bụ onye n'ese ihe mbụ n'elekọta biennale kemgbe New-York dabeere na DIS, bụ ndị gosipụtara mbipụta nke 9 na 2016. [4] N'ọnwa Nọvemba n'afọ 2021, o nwere ihe ngosi akpọrọ "On Silence" na Mathaf: Arab Museum of Modern Art na Doha. [16]

Nchịkọta

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Kader

A n'etinye ọrụ Attia na nchịkọta n'adịgide adịgide nke:

  • Museum of Modern Art, New York, [17]
  • Sharjah Art Foundation, [18]
  • Ebe Ngosi Ihe Mgbe Ochie Tate,[19]
  • Centre Georges Pompidou, Paris,[20]
  • Institute of Contemporary Art, Boston, [21]
  • Guggenheim Museum na New York.[3]

Onyinye

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  • N'afọ 2016, Attia meriri Prix Marcel Duchamp nke France.[22][23] N'afọ 2018, e nyere ya onyinye Joan Miró . [24][25]
  • N'afọ 2019, Attia bụ onye otu ndị ọka ikpe họọrọ Arthur Jafa dị ka onye mmeri nke Prince Pierre Foundation's International Contemporary Art Prize . [26][27].mw-parser-output .reflist{font-size:90%;margin-bottom:0.5em;list-style-type:decimal}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}
  1. ↑ Kader Attia (5 October 2016). Archived from the original on 25 April 2019. Retrieved on 25 April 2019.
  2. ↑ Kader Attia (en-US). Barjeel Art Foundation. Retrieved on 2022-08-18.
  3. ↑ 3.0 3.1 Collection Online: Kader Attia. guggenheim.org. Archived from the original on 25 April 2019. Retrieved on 25 April 2019. Kpọpụta njehie: Invalid <ref> tag; name "Guggenheim" defined multiple times with different content
  4. ↑ "Kader Attia on why we need art to overcome 'the dark times we live in'", Financial Times, 25 January 2019. Retrieved on 2019-04-25.
  5. ↑ (2010) Project Europa: Imagining the (im)possible. Samuel P. Harn Museum of Art, University of Florida. ISBN 978-0-9762552-9-1. 
  6. ↑ Mansour Abrous (1 February 2011). Algérie : Arts Plastiques: Dictionnaire biographique (1900-2010). Editions L'Harmattan, 74–. ISBN 978-2-296-45164-3. 
  7. ↑ people - Sharjah Art Foundation. sharjahart.org. Archived from the original on 2019-04-26. Retrieved on 2019-04-26.
  8. ↑ Kader Attia's Work Holds a Mirror to the World's Injustice. Hyperallergic (16 April 2019). Archived from the original on 26 April 2019. Retrieved on 26 April 2019.
  9. ↑ Diane Arbus and Kader Attia review — Portraits of outsiders. Evening Standard (12 February 2019). Archived from the original on 2 April 2019. Retrieved on 26 April 2019.
  10. ↑ Kader Attia Awarded 2017 Joan Miró Prize for Post-Colonial Work. www.artforum.com. Archived from the original on 2019-04-26. Retrieved on 2019-04-26.
  11. ↑ Jeffreys (10 February 2017). "Grow Together". Frieze (185). Retrieved on 2019-04-26. 
  12. ↑ Kader Attia Opens La Colonie Art Space in Paris. artnet News (18 October 2016). Archived from the original on 26 April 2019. Retrieved on 26 April 2019.
  13. ↑ Armstrong (17 April 2019). Here's the Shortlist for the $85,000 Prix International d'Art Contemporain. Archived from the original on 20 April 2019. Retrieved on 26 April 2019.
  14. ↑ Paik. "Kader Attia Announced as Berlin Biennale Curator", Ocula Magazine, 8 March 2021.
  15. ↑ Kader Attia Appointed As Curator Of The 12th Berlin Biennale For Contemporary Art. Biennial Foundation (4 March 2021).
  16. ↑ Kader Attia dissects multiculturalism, colonialism and capitalism in Doha show. Wallpaper (2021-11-13). Retrieved on 2022-02-03.
  17. ↑ Kader Attia. Open Your Eyes. 2010 - MoMA. The Museum of Modern Art. Archived from the original on 2019-04-25. Retrieved on 2019-04-25.
  18. ↑ collection - Sharjah Art Foundation. sharjahart.org. Archived from the original on 2019-04-26. Retrieved on 2019-04-26.
  19. ↑ Tate. 'Untitled (Ghardaïa)', Kader Attia, 2009. Tate. Archived from the original on 2019-04-26. Retrieved on 2019-04-26.
  20. ↑ Ghost - Centre Pompidou. www.centrepompidou.fr.
  21. ↑ Kader Attia - icaboston.org. www.icaboston.org. Archived from the original on 2019-04-26. Retrieved on 2019-04-26.
  22. ↑ Why Artist Kader Attia Is Having an Art World Moment. artnet News (27 January 2017). Archived from the original on 26 April 2019. Retrieved on 26 April 2019.
  23. ↑ Nayeri. "We Need to Talk About Colonialism, This Artist Says", The New York Times, 25 February 2019. Retrieved on 26 April 2019.
  24. ↑ French-Algerian Artist Kader Attia Wins Joan Miró Prize. Harper's BAZAAR Arabia. Archived from the original on 2019-04-26. Retrieved on 2019-04-26.
  25. ↑ Montañés. "Arte para reparar heridas", El País, 13 June 2018. Retrieved on 26 April 2019.
  26. ↑ Annie Armstrong (17 April 2019), Here’s the Shortlist for the $85,000 Prix International d’Art Contemporain ARTnews.
  27. ↑ Arthur Jafa Wins $83,000 International Prize for Contemporary Art Artforum, 16 October 2019.
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